Nusrat Fateh Ali Khan in Los Angeles, 1996

Nusrat Fateh Ali Khan '96

by Fazeel Aziz Chauhan

(Published in Pakistan Link ~ September '96)

In August, I had the honor of seeing Khan in concert twice.The man is responsible for making Qawali music popular around the world. He has truly had a profound influence on my life. I traveled to Berkeley with my father and noticed the majority of the audience was Caucasian. Knowing that being a Muslim is considered a crime in America, I was very happy and proud to see that they had come to appreciate a Pakistani Muslim. I realized that it was an extremely rare occasion where the man being admired by Americans was mine, the music was mine and the heritage he represented was mine. That makes us feel proud. Outside that auditorium, there isn't a large place we can call our own. The overt and covert pressures of society can force a person to not be himself. But at Khan's shows we felt free to walk, dress, talk and act in our own true and natural way.

In Los Angeles, the tension in the air may have been due to the open racism here. But Pakistani youth danced in ecstacy, free and proud. Some demonstrated their power and rebellion by taking off their shirts. We usually hear nothing good about Muslims from the dominant society. Khan has broken through those barriers, forcing the listeners to take a second look at Muslims. His music is on the soundtracks of Last Temptation of Christ, Bandit Queen, Natural Born Killers and Dead Man Walking. He has albums with Eddie Vedder of Pearl Jam, and Michael Brooks.
Khan sings many Qawalis about Allah and Prophet Mohammed (PBUH). In addition, he sings about the lives of many Saints who can serve as real heroes. For example, one of the many Qawalis praising Hazrat Ali talks about his courage stating:
Ali was victorious in all battlefields
Khayber still trembles upon hearing his name
When I sit in my car and plug in one of Khan's tapes, it takes me to another world. There, I get wisdom, courage, and joy. And I am ready to face whatever comes my way.
Professor Tayyab says "It is not that WE are trying to be like THEM. The truth is, THEY are trying to be like US". They steal ideas from the East, re-package them and label them as "Western". Why is it "cool" for Sting and Robert Plant to wear our Kurta or Sherwani, but when we wear our own clothes, it's frowned upon as if it's unacceptable like a crime?