Lata Shines at the Shrine

Lata Shines at the Shrine

by Fazeel Aziz Chauhan

(Published ~ 10-10-95 in Pakistan Link, Los Angeles)

Last Saturday, the Legendary Lata Mangeshkar performed at the beautiful Shrine Auditorium in Los Angeles. Lata embarked on a U.S. tour after an absence of over a decade. The anxiously awaiting fans bought out all the tickets a month before the show. The performers included a variety of musicians and singers and the audience sat back and relaxed in their seats to enjoy the show.

Being a Desi event, it was a pleasant surprise that the show began on time. Mr. S.P. Balasubrahmanyam began the show with a few popular songs from Hindi films including "Yeh Bandhan Anjana". During his introduction of Lata, he asked the audience not to whistle and to give her the respect of a mother. This set the tone for a very quiet and mellow audience.

As Lata walked onto the stage barefoot, the crowd gave her a warm welcome with their applause. Balasubrahmanyam and Lata sang a few duets, beginning with "Sundariya". The next song was very upbeat and three background female singers came on stage to join the duet "Dulhay Kee Saliyo". These vocalists came on stage for various other songs throughout the show, to add more depth and color to the orchestral sound. Jyotsna Hardikar, Sumati Antrolekar and Kirti Pai were dressed in ornate orange sarees, and sang enticing harmonies to the chorus lines.

Lata took a break and Adinath Mangeshkar sang a few popular tunes. He humbly introduced himself as a young performer. The crowd gave him a lot of encouragement and respect as Lata is his aunt. He sang the hit "Ik Ladki Ko Dekha To Aisa Laga" from the movie "1942". It is a simple yet beautiful and catchy tune. Jyotna joined Adinath for a duet "Tumhi Main" from the movie "Criminal". The song was partly copied from a hit by the band "Enigma". But Jyotna sang the haunting melody which sweetly melted in the listeners' ears.

Many of the performers were closely related to Lata and I was surprised at the incredible artistic talent that exists in this family. Usha Mangeshkar who is Lata's sister sang a couple of oldies from the movies "420" and "Nikah", including "Aichak Dana". She is also a painter and award winning movie producer.

The most vibrant performer of the night was Sudhesh Bhosle. He joked with the audience and captured their attention by talking about the "Upar Walay" - the people sitting in the dark, at the very top. His success began with the song "Jumma Chumma" from the film "Hum". He has the ability to accurately copy great singers like Kishore Kumar, Rafi and S.D. Burman. Sudhesh began with Kishore's hit "Hum Na Karain Gay Pyar" and it felt like Kishore himself was in the room. He also sang one of my favorite tunes "Chaand Mayra Dil". The guitarist who was sitting during the whole show, stood up to play this hip song. Sudhesh got the audience involved and asked for their participation. They got energized and responded with their applause to "Tum Kya Jano Muhabbat Kya Hay", "Amma Dekh Munda Bigra Jaye" and "Gata Rahay Mera Dil".

Lata came back on stage and talked about the great composer S.D. Burman. The first song he composed was for Lata. Her last song with R.D. Burman was the hit "Kuch Na Kaho". When she sang this song, an older couple in love got up and started dancing with a strong embrace. Security was called to have them sit down again. In this set Lata sang a few historical songs like "Pyar Kiya To Darna Kya", "Aa Janay Jaan" and a 50 year old song "Lara Lappa".

After the intermission, Lata sang a beautiful classical duet with her brother Hridaynath Mangeshkar. It started with only the tabla and drone and later the whole orchestra joined in. It was a 13 member orchestra with all the men dressed in the same white shirts and embroidered black vests. These were the unsung heroes who provided the vocalists with the necessary rhythm, strings and melodies. They were lead by the musical arranger and conductor Anil Mohile. There were six musicians on percussion including Raphael Satamkar on and electronic drumset called Octopad, Narayan Naidu on Dholak, Maqbool Khan on Bongos, Kishore Bham on Mallets, Vishal Mhatre on Congos and Ramakant Mhapsekar on Tabla. Amar Mohile played synthesizers and Ajay Madan played Guitar. Kishore Desai was on Mandolin, Prakash Patel on Violin and Vivek Paranjpe on Keyboards. An important part of the sound mix was Suraj Sathe who played Accordian. This variety of instruments gave the orchestra a very broad and rich sound.

Lata ended the program by singing about 20 one-liners from her hits. These included "Aye Ga Aanay Wala", "Raja Key Aye Gee Baraat" and "Aap Key Nazron Nay Samjha Pyar Kay Qabil Mujhay". Some people responded with applause and praise for their favorite songs. Lata asked them to "Remain peaceful and not to create too much comotion". The last song was "Yeh Zindagi Usee Key Hay Jo Kisi Ka Ho Gaya" which creschendos on a high note "Alvida". Lata apologized for her sore throat and thanked all of the musicians and promotors. It was indeed a very professional, rich and memorable show.

Pakistanis love great Indian singers like Lata. Such musicians and artists can bridge the gap between "us" and "them" and help create peace. Good artists are not confined by territorial or political boundary lines. It is unfortunate that there is division among the people who lived together and got along for hundreds of years. Our differences are few and our similarities are numerous. We have a common legacy and ancestry. Let's focus on the things we have in common and create peace with our neighbors